JUAN ALONSO RODRIGUEZ
Juan Alonso-Rodríguez is a Cuban-born, self-taught artist with a career spanning over three decades in the Pacific Northwest, now residing in St. Petersburg, Florida. His work has been exhibited throughout the US and is included in the permanent collections of the Tacoma Art Museum, Portland Art Museum, University of Washington’s Henry Art Gallery, Museum of Northwest Art, Microsoft, and General Mills, among others. He has created public works for Lumen Field, Seattle/Tacoma International Airport, King County Housing Authority, Epiphany School, Seattle’s Sound Transit System, Chief Sealth High School, and Renton Technical College. Besides a 2019 Artist Trust Fellowship, his awards include two Artist Trust GAP’s, the 1997 Neddy Fellowship, a 2010 Seattle Mayor’s Arts Award, the 2016 DeJunius Hughes Award for Activism, the 2017 Conductive Garboil Grant, the 2019 Governor’s Arts Award for an Individual Artist, and was selected as the 2021 Lecturer for the University of Washington Libraries Artist Images. He has been nominated twice for the Joan Mitchell Painters & Sculptor’s Grant.
For as long as he has been making art, Juan has been involved in the artistic community as a vocal advocate for the arts and artists, particularly for those with less privilege. He has been instrumental in developing and encouraging business training for artists with various local arts organizations. Juan is a former Seattle Arts Commissioner, co- chaired the city’s Public Art Advisory Committee for four years, and serves on the board of ARTE NOIR, a non-profit that showcases artworks by Black artists.
Crystalized, 2025, Acrylic, moulding paste on wood panels, (9) 18 x 18 inches, 58 x 58 inches (overall dimension with 2" between panels), $11,000
Bulwark, 2019, Powder-coated 1/4” steel, 18.5 x 14.25 x 4 inches, $1750
Aquaprase, 2025, Acrylic, moulding paste on cradled wood panel, 48 x 36 inches, $6500
Joshua, 2021, Powder-coated 1/4” steel, 14.25 x 18 x 4 inches, $1750
“Over the years, as my images and subjects have changed along with mediums and techniques; imagination and experimentation still drive my work. The fact that I was born in Cuba, the quick loss of innocence I experienced as a young person in a foreign place, learning a new language, and growing up without my immediate family will always affect what I create, sometimes more obviously than others. The politics that have made me an outsider intrigue me since they are almost always present, yet out of my control. The human condition, our fragile existence on this planet, the way we relate, love, isolate, and unnecessarily damage ourselves and the world we live in are fascinating topics, no matter how they are ultimately expressed. I am influenced by balance, perceived symmetry, architecture, science, growth and decay, weathered beauty, and the tug-of-war between the natural and the man-made landscape.
In recent years I have had the opportunity to create both studio work and public art projects. This has enabled me to challenge preconceived notions about the acceptance of art by the public and the capability of the solitary studio artist engaging in collaborative ventures. As a believer that art has the ability and artists the responsibility to inspire social well being, I welcome the balance between the introspection necessary to formulate ideas in the solitude of the studio and the gift of sharing some of the benefits with society.” - Juan Alonso Rodríguez
Sentry, 2019, Powder-coated 1/4” steel, 13 x 18 x 4 inches, $1750
Rhyolite, 2025, Acrylic, moulding paste on cradled wood panel, 40 x 40 inches, $6000

